I suspect that you'll gain a new appreciation for Jackson's movie if you do that. Actually the best way to go at it would be to watch the movie, then read the book, then try to figure out for yourself how you would have done it differently. I found it to be a very good try at adapting a book that by its nature is extremely hard to film. The book is told from the point of view of a teenage girl in heaven after shes been killed and. I'd suggest seeing it and just let yourself decide if it's a worthwhile experience or not. Sebold wrote the hugely popular novel 'The Lovely Bones.' It sold more than 8 million copies. The music is also just fantastic, not surprising as Brian Eno did it - it's very disappointing that the soundtrack is not available, as it's beautiful and haunting. Thanks to the sweet-faced and deeply affecting Ronan, you'll never forget Susie Salmon. That said, I think the movie is quite a fine one, especially because of the magnificent performances of the two leads, Ronan and Tucci. All this adds up to a book that perhaps shouldn't have been adapted for the screen at all. Sebold identified him as her rapist on the witness stand, and an expert said microscopic hair analysis linked him to the assault. So when Jackson uses special effects to invoke heaven, people tend to completely flip out, without really offering their own alternative about how that "should" have been done. 24, 202103:49 Broadwater was tried and convicted regardless. That was extremely difficult to do here considering how grim the subject is. Regardless of her ordeal, Sebold continued at the university. Despite the horrifying ordeal, the young woman somehow managed to survive, but her attacker got away.
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The problem in making the movie, as in any adaptation of magical realism concerning dark subjects, is how to capture the magic without having it jar too much with the realism. Author Alice Sebold Alice Sebold, 18 years old at the time, was attacked, assaulted, and raped while at Syracuse University in May 1981.
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Considering the subject matter, the murder of a young girl, it's a bit unfair to go to the movie and expect to see the book come to life on the screen. That doesn't quite happen when you actually see things with your eyes, film is much more literal (strange to say) that literature.
That's because events can be described in words in a grisly way but still be part of an optimistic universe when you are reading - it works. The book itself had a rather sunny disposition, which is ironic as it often was somewhat grislier in detail than the movie. Her work has been translated into more than fifty languages and has appeared in The New York Times and The Guardian, among other publications.
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In navigating the torrent of negativity to which this movie has been subjected, one thing to keep in mind is that it's an adaptation of a very widely read and popular book. Alice Sebold is the author of three 1 bestselling books, including Lucky, and the novels The Lovely Bones and The Almost Moon.
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